三种媒介之间创造的视觉体验 @HdM 北京(2)

As Yu Yang says ‘Actually, the spiritual and the real world have always been interrelated’. When spirituality and reality are artificially combined, it appears that the traditional world of the mind is no longer the content delivered by a traditional visual experience, but is controlled by the visual effect of real objects, namely wood, and extending to space. Wood is separated from its attributes after being attached to an intellectual value, and becomes an object with cultural connotations; water, ink and paper, which are traditional objects of culture, have become materialized physical beings, operating a transformation and forming a new visual experience. They are released. Hence the name ‘Opposites Attract.’

Yu Yang, born in Ulanbator, Inner Mongolia in 1979, graduated from the Central Academy of Fine Arts with a master degree in 2013. He is a member of the ‘Cold Ink’ art group, and now lives and works in Beijing. His work has already been largely exhibited including at National Art Museum of China (Beijing, China), The Long Museum (Shanghai, China), Minsheng Art Museum (Beijing, China), +BTAP TOKYO Gallery (Beijing, China), Parkview Green Art (Beijing, China), 3812 Gallery (Hong Kong, China), etc.

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